タグ「Jonny Greenwood」 の検索結果(4/14)

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September 8, 2016

Jonny Greenwood is confirmed to play There Will Be Blood with LCO

There Will Be Blood Live が再びロンドンにて。
Jonnyが来年1月30日、ロンドンのRoyal Festival HallにてLondon Contemporary Orchestraと共に出演する事が決定しています。チケットおよび詳細は → Southband Centre
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September 2, 2016

Shye Ben Tzur discusses his project The Rajasthan Express and his love for Indian music

Shye Ben Tzur が彼のプロジェクトやインディアンミュージックへの思い入れ等について語っています。
Rollingstone India

Sometime during the late Nineties, a teenaged Shye Ben Tzur was drawn to the mysticism and energy of Indian classical music. Like many others his age, the Israeli musician was already introduced to Western music, but found the allure of qawwali and Hindustani classical irresistible. Tzur, now the brains behind contemporary music-meets-Indian folk project The Rajasthan Express, says over the phone from Tel Aviv, "You have to remember, something like jazz or Western music, is something that's relatively new. Indian music is quite ancient in many ways. It's important that we leave something far more valuable."

Tzur talks with the confidence of someone who knows his Indian music inside out. After all, he's spent close to two decades in the country, working closing with Rajasthani musicians--from the qawwals and Manganiyars to keepers of the sufi music tradition. With two crossover albums (Heeyam in 2003 and Shoshan in 2010) to his name, Tzur added another texture to his unique mix of Urdu, Hindi and Hebrew music; he teamed up with guitarist, producer and composer Jonny Greenwood, best known for his work with rock titans Radiohead. Together, Tzur, Greenwood and the 19-member strong Rajasthan Express created Junun, which released last November. Tzur says, "The aim was to create something that was a pure expression of music and art." Junun was mastered by Radiohead's go-to sound engineer Nigel Godrich and was accompanied by a documentary shot by renowned American filmmaker Paul Thomas Anderson.

Although familiar with Radiohead's music, Tzur went back to the band's catalog with a finer comb only after meeting and collaborating with Greenwood in 2015. The two musicians went on to perform together at the World Sacred Spirit Festival in Jodhpur last year. Unfortunately, Greenwood isn't a permanent fixture in the live setup for Tzur and The Rajasthan Express, owing to his own busy schedule with Radiohead and other projects. But Tzur and The Rajasthan Express will be taking up plenty of stage space on their own, when they perform at the fourth edition of Ziro Festival of Music, held in the breathtaking Ziro valley in Arunachal Pradesh between September 22nd and 25th. He says, "I'm really looking forward to the Ziro Festival. I'm very excited."

It's a busy season for the musician, who is also recording artists in Israel and curating a festival in Jaipur later this year. He says, "I wanted to research and study about the rich musical tradition that India has [when I was 19]; I just never imagined that it was going to change my life and I was going to spend so many years in India. I still feel I have not achieved anything of my aim. It's so vast--music in general and Indian music in particular. It's been quite a journey."



August 23, 2016

"I Experience Life, And Music Emerges": Shye Ben Tzur Interviewed

The Quietusに、11月にJonnyと共にツアーをするShye Ben Tzurのインタヴューが掲載されています。

"Greenwood is very, very curious about music and an amazing musician. We were discussing these things, and one of the main decisions we made was that we would try to use chords as sparingly as possible, and play more with rhythmic and 'sound' elements - try to rest and let the chords emerge from the melody rather than imposing, western chords on the music."

...全文は→The Quietusへ。

August 22, 2016

Junun feat. Shye Ben Tzur, Jonny Greenwood & the Rajasthan Express in Lausanne

Junun feat. Shye Ben Tzur, Jonny Greenwood & the Rajasthan Expressのスイス、ローザンヌのLes Docksにて
11月9日に公演が決定した模様。詳細→ http://www.docks.ch/evenement/junun/

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August 19, 2016

Frank Ocean's New Visual Album Endless Features Jonny Greenwood

Frank Oceanが45分のヴィジュアルアルバム「Endless」をApple Music経由でリリース。このアルバムには沢山のアーティストの協力を得て制作されたようですが、
Jonnyも "At Your Best (You Are Love)."で参加しているようです。
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参考記事:Frank Ocean Releases Visual Album Endless: Watch
source: pitchforke.com

UPDATE:
LCOがJonnyによるストリングアレンジで演奏しているようです。

August 12, 2016

SCREENING OF "JUNUN" IN JAPAN : Thank you :)

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Junun劇場公開最終日。
Jonnyがファミリーで来てくれました。
日本で公開した事はもちろん、会場の装飾や展示品もすごく喜んでくれました。
サマーソニックまでまだ結構時間がある時期だったので
お客さんも相当びっくりしてましたね。
ほんとうに嬉しかったです。ありがとう。
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写真は...私、一枚も撮れなかったので....すべて目黒シネマ様にいただきました。ありがとうございます。

この後もしばらく素敵な時間を一緒に過ごさせていただきました。
続きは私がやっているRadioheadのコピーバンドのサイトのほうでちょっぴりお話しています。
一生忘れられない思い出となりました。→OAS Radiohead tribute band

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August 6, 2016

SCREENING OF "JUNUN" IN JAPAN : finally!

ついに明日より公開です!
沢山のご来場お待ちしています!

スケジュール、および詳細は
http://big-boots.com/JUNUN へ。

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ご来場の方にはお一人様一部、パンフレットを差し上げます。
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August 4, 2016

All Songs +1: A Conversation With Radiohead's Jonny Greenwood

Jonny Interview @ NRP
日本語訳がRo69に掲載されています。
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Greenwood on why Radiohead changes its process with each album:

"I guess it feels like every record we make, we finish and have a collective thought that we didn't quite mean to do it like that and the next one will be different and then we'll get it right. It's kind of like rewriting the same letter and getting each draft slightly wrong. So it's a good motivation force -- it keeps us going."

On why he loves recording string sections:

"Our string days are just the most exciting days to record. I live for them. It's amazing, the whole excitement in the morning of putting out music on these empty stands and, you know, an orchestra are coming later that day and you'll only have them for four hours and you've got to make the most of it. It's really just the most exciting thing and then to sit in a room and hear them play it's really like nothing else."

On his first love, the recorder:

"Instead of stealing cars and having a good time as a teenager I was literally playing the recorder like until the age of eighteen -- seriously, with no shame."

On the importance of knowing what role he plays in the band:

"It's not really about can I do my guitar part now, it's more ... what will serve this song best? How do we not mess up this really good song? Part of the problem is Thom will sit at the piano and play a song like 'Pyramid Song' and we're going to record it and how do we not make it worse, how do we make it better than him just playing it by himself, which is already usually quite great. We're kind of, we're arrangers really."

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August 3, 2016

Junun feat. Shye Ben Tzur, Jonny Greenwood & the Rajasthan Express at Le Guess Who?

Junun feat. Shye Ben Tzur, Jonny Greenwood & the Rajasthan Express がオランダ、ユトレヒトでの公演が決定した模様。
11月はこれで3公演決まっており、噂通りちょっとしたツアーになりそうです。
Le Guess Who?
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July 27, 2016

Junun feat. Shye Ben Tzur, Jonny Greenwood & the Rajasthan Express at C2C

11月のトリノで開催のClub to Clubに出演のShye Ben Tzur, Jonny Greenwood & the Rajasthan Expressですが、日割りのスケジュールが発表されました。
出演日は、Jonnyの誕生日でもある11月5日土曜となっているようです。会場はLingotto Fiere 1日券も発売開始しています。
コチラ。
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July 21, 2016

Junun feat. Shye Ben Tzur, Jonny Greenwood & the Rajasthan Express will play at CtoC in Italy

Junun feat. Shye Ben Tzur, Radiohead's Jonny Greenwood & the Rajasthan Expressが11月2〜6日までイタリアのトリノで開催されるClub to Clubに出演が決定。
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July 19, 2016

SCREENING OF "JUNUN" IN JAPAN : arrived!

公開まであと約2週間となり、Anderson監督のプロダクションよりJUNUNとDaydreamingがついに日本に到着しました。

July 14, 2016

Dead Air Space update 7/14

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July 14, 2016

JUNUN:Shye Ben Tzu,Jonny Greenwood and Rajasthan Express will play at Troxy London

Shye Ben Tzur,Jonny Greenwood and Rajasthan Expressが今年の3月につづきロンドン公演が決定しています。
11月4日、ロンドン Troxy にて。
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詳細→
https://www.ents24.com

http://illuminationslondon.com/tickets

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July 11, 2016

Dead Air Space update 7/11

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June 28, 2016

Dead Air Space update 6/28

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June 17, 2016

SCREENING OF "JUNUN" IN JAPAN

SCREENING OF JUNUN IN JAPAN !!!
ついに日本で劇場公開です。
3月に監督に直接申し出てから密かに行動していました。
ついに劇場公開が実現!目黒シネマさんで8/6から1週間公開します!
2016.8.6 - 12
また、特設サイトをオープンしました。
Jonny、そしてShye Ben Tzurや監督にもらったメッセージも公開しています。
同時上映につきましてはもう少々お待ちください。
JUNUN

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June 17, 2016

BBC 6 The First Time with: Jonny Greenwood

Jonnyのインタヴュー
The First Time with Jonny Greenwood - BBC Radio 6 Music
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....時間あるときにー
Their ninth album is "utterly entrancing", "mesmerising" and "an incisive portrayal of emotional vulnerability", the critics said. Fans, too, lavished praise on the album, noting a return to melodicism after the fractured and fatigued King Of Limbs five years ago.

Many of the songs are elevated by guitarist Jonny Greenwood's orchestral arrangements and the presence of the 13-person choir from the London Contemporary Orchestra.

The band haven't spoken about the record since it was released, but Greenwood dropped into BBC 6 Music to chat to Matt Everitt earlier this week

Their conversation covered the "traumatic" recording sessions, Radiohead's career-spanning live shows, and their rejected theme song for the Bond film, Spectre.

The setlists for your recent live shows have changed radically every night. How many songs did you rehearse?

We started with 120. It's crazy. I mean, it's just every song we've done. And then we gave up and realised that was stupid and got it down to about 60 or 70, and we played 24 songs a night. So there's a lot to choose from.

What was the thinking behind that?

Variety. Keeping it fresh and interesting. It drives our crew crazy, as you might imagine, because they don't know what to do with the lights. But that's okay. We've always been like that. We've always decided the setlist just before we play.

The image that's grown around Radiohead's studio work is that it's very tortured, very emotionally draining... a very difficult experience for everybody concerned. Is that is that true?

It's by turns really exciting - and there's usually Thom [Yorke] in the middle of it getting very excited and motivating everyone and getting worked up about how well it's going - and then there's periods when nothing's happening and it's just not working and it's frustrating.

But it's like that for everyone with work. When it's going well it's such an exciting and "up" and happy time that gets you through anything, really. It's only torturous looking back.

Such as?

We recorded No Surprises [from 1997's OK Computer album] and then worried about it. And then we recorded it again because it didn't sound very good. And then we recorded it again. And then went back to the very first recording and released it.

So it's tortuous in that way. It's not like you're sitting looking for a kick drum sound for two weeks, it's more effort than that. More hitting brick walls over and over again. That's just how it goes.

What are your memories of headlining Glastonbury in 1997 - a gig that is now regarded by many as one of the greatest Glastonbury performances ever.

I just remember it being very stressful and the monitors breaking and Thom walking off because he couldn't hear anything and it just being a disaster!

It was pretty bad. It was like, "We can't hear ourselves, and we don't know what's coming across," and then I remember asking Andy Watson, our lighting guy, to illuminate the audience so we could finally see them. I remember that. You can't hear what you're playing and you hope everyone is hearing each other and that something is coming across, but it was a struggle.

You released your track Spectre on Christmas Day - explaining it had been intended as the theme as a James Bond theme, until Sam Smith's track was chosen instead. What happened?

It wasn't right for the film, what we did. So we thought, "Great! Then it's ours. We can finish it how it's meant to be and we can release it." So that side of it was really positive, you know?

But I guess there's lots of people interested in who does it [the Bond theme]. There's a lot riding on it and the song we did was just too dark or whatever, so that's fine. [It] means we get to have it back and it's ours and we got to put it out.

We're really, really proud of it. Why be attached to an old fashioned idea of what a James Bond thing was and it being a big deal? It's like it's sort of stupid to get worked up about, really.

A Moon Shaped Pool features a lot of arrangements by the London Contemporary Orchestra, who you're a great champion of.

Well there's songs like Burn The Witch which, very rarely for us, we managed to get strings on near the beginning. We left it unfinished on purpose and left lots of room for the strings and we never do that usually. Usually the strings are the icing on top.

At the end of Daydreaming I got the cellos to all tune their bottom strings down about a fifth [of an octave] but then still try to play the music. So you can hear them struggling to stay in tune and you have the low growl sound.

You want to use strings in a way that isn't just pastiche and that can be hard to avoid. That was fun, trying to square that circle.

I was lucky enough to see a couple of the recent shows and it looked like you were really enjoying being on stage.

Yeah, it was really enjoyable. I think we're appreciating being in a band with each other in the moment and enjoying the sound that we put across. So it's a very happy time, yes. What can I say? There's nothing to complain about really!...

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June 14, 2016

Radiohead give away original 'Burn The Witch' figurines, artwork and film prints at global event

A Moon Shaped Poolの通常盤販売に向け世界各国でイベントが開催されますが、
その開催内容はライヴストリーミングとのことですが、
最新のライブの音源が2時間(Jonnyによるセレクション)が流れるようです。

また参加者にはプレゼントも用意されているそうです。
その中にはBurn The Witchのビデオで使用された人形や、Stanley Donwoodによるアートワーク、そして、Paul Thomas Anderson監督による「Daydreaming」の35mmフィルムも。
Fact Magazine


June 13, 2016

Adam talks to Jonny Greenwood

Radioheadと仲良しのAdam BuxtonによるJonnyとのチャットの模様が公開されています。


セットリストが絶えず変わることについて
「何曲か突然耳にいい感じに入ってこなくなる曲がでてきたりするんだよ。
そうなったらしばらく放置するんだ。 'No Surprises'なんかもそう。
だから3~4年は演奏しなかったよね。リハーサルで試してもしっくりこなくて。
それが今は復活した。それも得意げにね。」

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